Tom Wesselmann
Menu
Information
About
Biography
Bibliography
Newspapers & Magazines
Books & Catalogues
Exhibitions
Solo Exhibitions
Group Exhibitions
Collections
News
Artwork
1950s
1960s
1970s
1980s
1990s
2000s
Nude
Still Life
Landscape
Abstract
The Estate of Tom Wesselmann is represented exclusively worldwide by Gagosian and Almine Rech Gallery.
(New York, NY) The Estate of Tom Wesselmann (1931-2004) is represented exclusively worldwide by Gagosian and Almine Rech Gallery. The collaboration will ensure a cohesive presentation of the artist’s legacy to a global audience by mounting innovative exhibitions, promoting scholarly research, and producing publications that will advance a deepened understanding of the artist’s contribution to the art historical canon.
Cristea Roberts Gallery London exclusively represents Tom Wesselmann’s prints and multiples.
Tom Wesselmann Digital Corpus
In May 2022, the Tom Wesselmann Catalogue Raisonné research team at the Wildenstein Plattner Institute, Inc. added a significant contribution to the Tom Wesselmann Digital Corpus.
Over 200 Prints and Multiples series by Wesselmann will join the WPI’s online catalogue. Wesselmann’s prints and multiples provide a glimpse into another side of his creative process. This body of work spotlights his collaboration with master craftsmen and fabricators and his exploration of mediums from lithography to textiles to porcelain. The WPI is delighted to release these works to the public on its searchable platform.
Almine Rech Paris presents ‘Tom Wesselmann: After Matisse’, June 11 – July 30, 2022
Tom Wesselmann (1931-2004) forged his distinctive, figurative fusion of color and line through a longtime engagement with Matisse. Wesselmann first learned about the French master while studying at Cooper Union (1956–59), where his teacher Nicholas Marsicano encouraged him “to find your own way. . . You can’t do what Matisse did.” Wesselmann’s goal to bypass De Kooning and find his own direction was satisfied by his adaptations of the controlled, precise contours; bold, flat colors; and sensual imagery popularized by Matisse.
— Gail Stavitsky, author and Chief Curator, Montclair Art Museum